《莎士比亞外傳》是由理查德·布雷斯韋爾執導,勞倫斯·里卡德編劇,馬修·貝恩頓,西蒙·法納比,瑪莎·豪等明星主演的喜劇,電影。
在這個(gè)外傳中,比爾·莎士比亞是一個(gè)富有創(chuàng )造力但不被人理解的吉他手。他對音樂(lè )充滿(mǎn)熱情,但在家鄉卻無(wú)法找到機會(huì )展示自己的才華。于是,比爾決定離開(kāi)家鄉,前往倫敦追尋自己的音樂(lè )夢(mèng)想。在倫敦,比爾遇到了一群志同道合的音樂(lè )人,他們一起組成了一支樂(lè )隊,并開(kāi)始在各個(gè)小型音樂(lè )場(chǎng)演出。比爾的音樂(lè )才華逐漸被人們認可,他的名字也開(kāi)始在倫敦音樂(lè )圈中流傳開(kāi)來(lái)。然而,比爾的成功并不是一帆風(fēng)順的。他經(jīng)歷了許多挫折和困難,包括與樂(lè )隊成員的分歧、經(jīng)濟上的困境以及對自己才華的懷疑。但是,比爾從未放棄,他堅持不懈地追求自己的音樂(lè )夢(mèng)想。最終,比爾的努力得到了回報。他的樂(lè )隊簽約了一家大型唱片公司,并發(fā)行了一張備受贊賞的專(zhuān)輯。比爾的音樂(lè )成為了倫敦音樂(lè )界的焦點(diǎn),他也成為了一位備受尊敬的音樂(lè )人。《莎士比亞失落的歲月中到底發(fā)生了什么?》通過(guò)比爾·莎士比亞的故事,探討了夢(mèng)想的追求、堅持不懈的重要性以及面對挫折時(shí)的勇氣和決心。這個(gè)外傳向讀者傳達了一個(gè)積極向上的信息,即只要我們堅持不懈地追求自己的夢(mèng)想,就能夠克服困難,實(shí)現成功。
《莎士比亞外傳》別名:比爾,于2015-09-18上映,制片國家/地區為英國。時(shí)長(cháng)共94分鐘,語(yǔ)言對白英語(yǔ),最新?tīng)顟B(tài)超清。該電影評分7.6分,評分人數989人。
維杰·西圖帕提,阿努拉格·卡施亞普,瑪瑪塔·莫漢達斯,那塔拉簡(jiǎn)·蘇布拉馬尼亞姆,阿比拉米,迪維亞·巴拉蒂,辛加姆普利,阿魯多斯,穆尼什坎特,薩沙納·納米達斯,維諾德·薩加爾,馬尼干丹,卡萊揚,麗齊·安東尼,穆拉伊·阿拉西,巴拉蒂·拉賈,舍納潘·P·L,普瓦伊亞爾,維特里維爾·拉賈,莫漢·拉曼
趙麗穎,蘭西雅,啜妮,王菊,程瀟
邱澤,郎月婷
邁克爾·B·喬丹,西爾維斯特·史泰龍,泰莎·湯普森,菲利西亞·拉斯海德,安東尼·貝柳,伍德·哈里斯,安德烈·沃德,加布里埃爾·羅薩多,胡安·巴勃羅·維澤格,格拉漢姆·麥克泰維什,威爾·布拉格羅夫,馬克·史密斯
卡羅琳·勞倫斯,湯姆·肯尼,克蘭西·布朗,比爾·法格巴克,勞倫斯先生,羅德格爾·邦帕斯,約翰尼·諾克斯維爾,克雷格·羅賓森,格蕾·德麗斯勒,伊利婭·伊索雷利·保利諾,馬修·卡德瑞普,旺達·塞克絲,克里斯托弗·哈根,瑞歐·亞歷山大,瑞恩·貝蓋,凱瑞·華格倫,瑪麗·喬·卡特利特,吉爾·塔利,迪·布拉雷·貝克爾,邁爾斯·哈爾
《莎士比亞外傳》是一部喜劇、傳記和歷史元素并存的電影。影片講述了莎士比亞年輕時(shí)期的故事,主人公是一個(gè)無(wú)望的琵琶手比爾·莎士比亞,他離開(kāi)家鄉追尋自己的夢(mèng)想。影片以幽默的方式展現了莎士比亞的生活,他是一個(gè)天生的喜劇演員,總能用他獨特的幽默感和機智的臺詞讓觀(guān)眾捧腹大笑。雖然他的琵琶技藝不盡如人意,但他對戲劇和文學(xué)的熱愛(ài)卻是無(wú)可取代的。影片通過(guò)描繪莎士比亞的旅程,展示了他如何從一個(gè)無(wú)名小卒成長(cháng)為偉大的文學(xué)家。在旅途中,他遇到了各種各樣的人物,包括其他藝術(shù)家、貴族和普通百姓。這些人物與他的互動(dòng)不僅讓他受益匪淺,也為觀(guān)眾帶來(lái)了許多歡樂(lè )的時(shí)刻。影片還通過(guò)對歷史事件的再現,勾勒出了16世紀英國社會(huì )的風(fēng)貌,展示了當時(shí)的倫敦市井生活、劇院文化以及貴族的生活方式。觀(guān)眾可以通過(guò)這些細節更好地理解莎士比亞的作品和他所處的時(shí)代背景。總的來(lái)說(shuō),《莎士比亞外傳》是一部充滿(mǎn)歡樂(lè )和教育意義的電影,不僅帶來(lái)了笑聲,還讓觀(guān)眾更好地了解了莎士比亞這位偉大文學(xué)家的一生。無(wú)論你是喜歡莎士比亞的作品,還是對歷史和文化感興趣,這部電影都值得一看。
I have seen Senior Shakespear returning to his hometwon Straford upon Avon, and refill the vacancy he has left while playwrighting in London. It is a family bussiness that typifis the Oedipus complex, where the younger of two daughters lives in the shadow of Shakespears‘s son who died prematurely, and where the elder daughter have an extramarriage affairs which also results from the father's absence.
This Bill, however, is very different in that there is obvious contrast between Shakespear's undoubtable talent and his sucessful care merely through chance. Another famous playwright Christopher Marlow, by sheer coincidence, becomes something extimate of Shakespear, and become that stain on the nothingness of Shakespear's comedy which is in his body and he is unable to use. It is there as Marlow said, but rough and not yet available. And Marlow has to die in order to ignite this nothingness in Shakespear.
Where does this writing talent come from? There some some saying in the file that will give it a clue. First, write what you know, but what do you know. It is a nothingness that lies in your body but is a sbustantial thing that is in you and more than your self. Second, how to write this nothing and substantial thing. Marlow first point to his brain and then direct it to Shakesperar's heart. How to express it in words. I got the story, but I have no words, says Shakespear. It depends on the passion in his heart and also the techinique in his brain. You can learn the technique through teaching and use his family or his passion towards his wife to inspire his imagination. So this is the place of origin of his story and words.
One important string that clusters the whole film together is those words, words at the junction. The first junction is the man who is hiding in the pie stall in the market. He is the queen's guard and spy and the word to reveal his presence is "Saying things in a short, snappy way instead of long, drawn-out way is the soul of wit". These words are key to reveal the hidden presence that will stop the catholic plot initiated by the King Philip 2 of Spain. Another revealatory code is between King Philip and his spy in London. Unseasonably cold for the time of the year and "Mynah bird must wait until winter until his songs to be heard" matches or not, this fact does not influence their contact.
to be continued
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